 With over 270 credits, award-winning director Clay Stafford’s experience includes a diverse mix of stage, film and tape, single- and multi-camera shoots, and multi-camera live broadcasts. He has directed internationally distributed dramas, how-to series, documentaries, live talk shows, commercials, game shows, theatrical productions, as well as, special programming and media events for ABC, CBS, NBC, PBS, and national cable networks. He has served as director of photography (cinematographer) on over 75 film and video productions and has extensive experience in various editing formats of both film and video, including electronic and flatbed editing.
Sample list of Clay Stafford's directing credits: BRINGING DADDY HOME - THE CALL, drama, theatrical, single camera, American Blackguard Entertainment, "A man faces the consequences of his hidden past." MICHAEL, drama, TV movie, edited single camera, PBS, "A troubled boy seeks acceptance from the wrong crowd." CROSSROADS, docudrama, TV movie, edited single camera, PBS, "Teens discuss pressures and the consequences of their actions." PATTERNS OF POWER, documentary, edited single camera, PBS, "A look at the history and culture of Florida's Seminole and Miccosukee Indians." A ZIEGFELD EXTRAVAGANZA, docudrama, edited single camera mixed with live-on-tape, PBS, "The bio of the original dance ensemble and its creator, Florenz Ziegfeld." WE ARE FAMILY, call-in live talk show, multi-camera live, PBS, "Teens discuss pressures of intercultural relationships." WHAT'S THE STORY?, hard news series, multi-camera live mixed with edited single camera, PBS, "A PBS 60-Minutes." NEW HORIZONS IN BONSAI, how-to series (26 episodes), live-on-tape, PBS, "Modernizing the ancient art of bonsai." SURECARD, network commercial series, edited single camera, SureCard, Inc., all networks, "For those with no credit or bad history, SureCard may be the answer." BAD LOCH, live professional theater, Frawley Road, Los Angeles premiere, "A daughter's love goes too far."
View Clay Stafford's full filmography and stageography. Scenes from Clay Stafford's Bringing Daddy Home—The Call
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